Some scenes may have fewer than 100 words, and some scenes may have over 4,000 words. Shawn: I’m playing catch-up by reading through all your older posts. Thank you again for sharing so much with us. One of your characters is the main character. Scenes are the basic building blocks of plot. Read this guide for tips on writing scenes, including how to start and end scenes, as well as scene-planning and structuring tips. Those are great questions, and we are going to attempt to answer them for you. I’m thinking 11 scene/chapters for the beginning, 18 for the middle, and another 11 for the end. I’m having a very strange reaction to this post. I’m reading all the posts over and over and absorbing something new each time! How many words should be in the middle? Thanks again for all this work, it’s truly a gift. Based upon the blog, I can assure you that my review will be glowing and 5 stars, it’s been very helpful. Great, thanks Michael! They are: 1. Each of your chapters can have only one scene or multiple scenes. You can accomplish quite a bit in 2000 words and if you successfully leave out the stuff that the reader does not need explained to them, 2000 words can often be way too much. A Swain “scene” can take place across multiple scenes of a novel (for example if a conflict takes multiple scenes to address before it reaches disaster). I have a theory about why Stories break down like this. Sometimes that reaction is the beginning of the next scene. Do you really need novel writing software? Stella Lane is wildly successful. Scenes. It’s all about CHANGE. You are an artist and this mathematical manipulation is probably rubbing you the wrong way. How many scenes should your chapters have? Does the book have to be longer? That was more or less what I was doing. And feel free to take me out at the knees if you don’t go for it. The novel I’m currently working on is right around 75 Scenes (About 35 scenes, 35 sequels, and 5 incidents – what the writing software I’m using refers to when a protagonist accomplishes a short term goal without any setbacks) and so far I seem to be averaging about 1500 words for the scenes and about 1000 words for the … Many authors plan or outline the sequence of events using scene & sequel on index cards before writing. I am now about 10,000 words away from completing my first draft of that first novel…and I know this because of The Math. So if you’re looking for a few early reviews from fans, I’ll be happy to read an arc and get a review up on publication day. Your email address will not be published. Rather you need to make choices about when and where to feature each of your three protagonists to the best effect. You can now see the entire form of your novel without having written a single word. You’ll need a scene that climaxes the end of your story. But if the narrative is really moving after you finish one of these bites, you won’t be able to help yourself reading another. This makes sense, and the math shows both the challenge and the possibility. Story Beats are the actor’s domain. Many novels create their own structure according to their needs. It makes me feel brave. You’ll need a scene that resolves the middle of your story. How long will it take you to write the first draft? When I point out that they can use this math (which I learned from your post at Steve P’s site) or the 12 sentences I learned from Larry Brooks as a tool, a guide, a drafting sketch which they can then follow or ignore as their pants dictate, it’s like they’ve never before considered a middle ground between the two extremes. Does that change the math? Sounds like you’re writing classic multi-protagonist miniplot. Thanks for sharing your knowledge and insights with us. And then your alternating chapters won’t feel forced, rather they’ll feel organic. 25% of them are for the Beginning Hook, 50% are for the Middle Build, and 25% are for the Ending Payoff. (I’ll review the building blocks of Story in future posts too.). You’ll need a scene that creates a crisis question at the beginning of your story. It’s down to me: get it done. On the other hand, if your scene consists of a quick hit-and-run incident, you might decide to keep it short for dramatic effect. At the beginning of the long form Story process, the problems we face are innumerable. It’s like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix... Is this your first crack at writing and finishing your book? The small-scale structure of the sceneThis may seem obvious, but by the end of this article, I hope to convince you that it’s terribly profound. You are practically giving this entire book away before it’s even published – you have some BIG time Karma coming your way. Should you pay for novel writing software for your first novel? Fight Scenes Shouldn't Slow the Pace. I’ve always loved math. Others have multiple scenes. So we’ll need to write 35 more. What happens in your story will determine how long your scene should be. Ideally the first meeting takes place within the first 3-5 pages and/or within the … Scenes and Sequels: The Essential Building Blocks. This is where a little rudimentary math will help. Here are a few reasons to start a new chapter: Changing the point of view of the narrator. I am a tactile creator who has to have a visual – whether it’s the story I’m working on or the meal I’m cooking. With fantasy there’s a lot of world building as well, so that has some impact on how long your scenes are. You’ll need a scene that resolves the end of your story. So, yes, a list of books that are good examples and a list of required scenes/conventions/etc. But, math is a Godsend. What you really need to know is when you should start a new scene. I was reading over this post (for the millionth time because I love it so much) when I wondered… in the book (which I am eagerly anticipating) will there be any discussion of how to approach shorter forms like novellas and short stories? (Don’t worry; I’ll go over these crucial elements of story form in much greater detail in upcoming posts. You’ve likely heard that a scene should … One by one, the hurdles are being removed from the track. Appreciate the work! Two thousand word scene/chapters is potato chip length. Look forward to seeing you on the big screen…lol, Hi Matt, Very helpful. The more I thought about this the more confused I became. Fantasy novels seem to be way longer. And then how many words should be in the beginning? More rarely, an entire scene-sequel or more can take place within a single scene if the pace is very rapid. People like to stop reading when they’ve finished a chapter, not in the middle of a chapter. Kind of like the seven samaurai…each has his own specialty and together they are a complex organism. But before we dive into it, remember that you are not the problem. Finally, let’s consider the difference … Hope this helps. The beginning may comprise 2 Acts, the middle 3 acts and the end 2 acts, but I don’t really care. Thank you for your help. For me, the Beginning, Middle and End are all that matter. Think of it this way: at the beginning of each scene a character has a goal. In movies and especially in real life, fights go by quickly. Each was the first book in a series, with later ones running longer. How to eat an elephant, one bite at a time. It’s much easier to figure out where to cut a piece of lumber than it is framing a house. In my own novel, I used a large white-board and listed all the chapters in order to get the story flow right. Your book keeps moving, and your reader keeps turning the pages. You’ll need a scene that climaxes the beginning of your story. Based on the mythology studies of Joseph Campbell, this story structure has been especially popular with fantasy writers as it is well-suited to quest narratives. You’ll need a scene that is the inciting incident of the beginning of your story. I think about the Inciting Incident scenes, Progressive Complications scenes, the Crisis scenes, the Climax scenes and the Resolution scenes for the beginning, middle and end of a book. Thank you for organizing them. I have no idea how to fit what I need to fit into 2,000 word chapters – which is what I was planning for! Download the Math of Storytelling Infographic. Measuring the length of a board, marking where to cut it, and then taking a saw and ripping it at that mark is the primal skill for a carpenter. If your characters are having a long conversation with each other, then your scene might run to be several pages long. The average length of a commercial novel today is between 80,000 and 100,000 words. The average length of a commercial novel today is between 80,000 and 100,000 words, beginning, middle, and an end to your story, https://www.savannahgilbo.com/blog/how-long-should-my-book-be, Genres have Conventions and Obligatory Scenes, Secrets of the Love Genre: How to Write a Great Romance, Story Beats: Understanding Units of Story. Nerds like me have noticed that typically, in contemporary commercial fiction, scenes run between 1000 and 5000 words. I counted pages instead of words, but for example the scene in which they left Lothlórien was 14.5 pages, and, by far the longest one, the Council of Elrond was an impressive 38.5 pages. Act 1, Scene 3: A heath near Forres. If a character is going to think in your action opening, let the action come … My advice would be to think of your two main characters as elements of a single person (a grand protagonist). Can’t wait for the book! We’ll have 20 additional scenes to play with in addition to our 5 obligatory scenes in the middle (25 total). ), Thanks Joel, that clarifies things. You hate math. This math doesn’t frighten me. And the problem we’re facing now is figuring out how to map out a course to get from idea to first draft or of how to evaluate the first draft we have in hand. Btw, I review a lot of stuff, as an example: http://www.amazon.com/review/R2QEQX3LRL0NWM/ref=cm_cr_rdp_perm. So the first breakdown of the 80,000 to 100,000 word book are the scenes necessary to create the five building materials for your beginning, middle and end of your Global Story. “In fiction, a scene is a unit of drama. So if the value at stake for you scene is “courage” then you’ll want to use the character who is least courageous in that scene to create a compelling dynamic. You’ve got doable pieces of work that can be attacked one day, one session at a time. How many words should be in the end? Remember: a sex scene in a novel can be just a sex scene. I am working on an erotica-political-woman in jeopardy thriller, I need to know what this sub-sub-sub genre requires in terms of conventions and scenes. But I will say that if this is not an epic novel (and it doesn’t sound like it is) then you’d be best served using a single central protagonist who arcs. Better to have a map of the targets we need to hit in order to make it to the end. My next post will throw it out there. I just reviewed a book called Million Dollar Outlines, by writer/teacher David Farland: http://www.amazon.com/review/RP71LLCA4EFL1/ref=cm_cr_pr_perm?ie=UTF8&ASIN=B00L7UT850. I got wind of you through an interview you did with Joanna Penn. Enter your email below for a free Story Grid course! One is a sidekick. From our earlier beginning, middle and end discussion, we know that 15 of those 50 scenes are already spoken for. ), The key building block for a long form narrative is the Scene. Breaking down a novel into bite-size, doable pieces, with an intention for each scene, gives me the map I need to complete this novel-writing journey. I didn’t expect this. This is the place to start. Writing a novel on your Chromebook, laptop, or tablet, Comparing Novelize to Word, Scrivener & Google Docs, Why Scrivener sucks for writing your novel, Why Google Docs sucks for writing your novel. I’m very happy with what I’ve planned out and I’m excited with the story. You brought up some things for me to think about that I hadn’t considered. So we’ll need 7-8 scenes in addition to our 5 obligatory scenes for our beginning (12-13 total). The idea of breaking down a novel is super helpful and I’ve come to realize not doing this is why I’ve never finished anything. You’ll need a scene that progressively complicates the middle of your story. The reality is that short, staccato scenes are more acceptable in faced paced thrillers or sports lit, where longer, perfectly realized scenes might bore … Same goes with writing or editing a long form Story. And a very cursory look at the math of a novel is definitely worth the time. This is my life’s work and it’s not for everyone. I’m thinking 80,000 words in length. To be straightforward. Again, this is subjective and completely up to your discretion. Should you outline your story before you start writing? So, if you are writing a 100,000-word novel, the beginning will generally be 25,000 words, the middle will generally be 50,000 words and the end will be the last 25,000 words. No matter how many Acts you have (3 to 5 to 7), you need a beginning to your story, a middle section to your story and an ending to your story. That is, if you are about to go to bed and your reading a terrific novel and the scenes/chapters come in around 2000 word bites, you’ll tell yourself that you’ll read just one more chapter. Savannah Gilbo wrote a blog post about novel lengths with average word counts per genre: https://www.savannahgilbo.com/blog/how-long-should-my-book-be. My other advice is to do the opposite of what the audience would expect. I first read about “The Math” when you posted about it on Steven’s blog – and it was the post that made me think, “Who is this guy and how do I learn what HE knows?” I was in the early stages of my first novel and The Math was tremendously helpful in making the endeavor seem doable. Basically, epic fantasy readers have a lot of patience. You may also wonder how long each of your scenes should be. So, that said, a few things I’d love to see: A list of required scenes and conventions for each genre. But that wasn’t your question: the OS&Cs relate to the story and not a character. I promise that all http://www.storygrid.com and http://www.stevenpressfield.com subscribers will get a leg up on the book before we go wide. As I mentioned before, I love lists. I am excited for your book to come out and to continue learning from you as I launch into novel number two. Happy New Year! Robert Jordan’s _The Eye Of the World_ is over 260,00 words, while Terry Goodkind’s _Wizard’s First Rule_ ran over 300,00, and Tad Williams’ _The Dragonbone Chair_ was over 315,00 (all rough estimates). I first encountered the concept of scenes and sequels in a book by Jack M. Bickham, Scene and Structure: How to construct fiction with scene-by-scene flow, logic and readability. I’ve said this before but I need to say it again: thank you so very much for sharing everything you know so freely with us. 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